Here's
what I consider my best piece of published work, the cover to Hawkman
#20.
I went
through quite a laborious process to get the reference shots for this painting.
I'd never painted rain and I couldn't actually find a piece of art that depicted
it, in paint anyway, there are a lot of comic artists who draw rain really well,
Will Eisner, Russ Heath and Nick Cardy to name a few...so anyway, I got my
model, I used the same model for all my Hawkman covers, a guy who worked in
Worlds Apart in Liverpool, Paul and we went back to his house. This was going to
be a location shoot using a regular camera, I didn't have a digital one at the
time.
So, to
get the effect I needed, a downpour, PAul crouched in his bath on a crate and
then I turned on the shower. His girlfriend held my studio lamp just over the
top of the shower and I used up a roll of film. Paul was really good at acting
which made this work. There are a lot of people I've used in the past who look
right but have one generic expression. Paul was better than that. A lot of times
I have to make do with the ref, just to make a deadline, but it makes a massive
difference when I can get decent ref,
acting.
The
painting was pretty straightforward, I photocopied the pencils and traced them
onto the canvas board. I usually prime the canvas board with gesso, sanding it
until I have a surface that it right to paint on. I then did a quick wash using
Indian red Winsor and Newton artists oil paint, watered down with Liquin to
rough in the dark areas and get rid of all the white, so I have a ground to work
out of.
Then,
pretty much, it was a case of just painting it, no layers, just painting each
section as I went along...I maybe went back into it a little to put the hair on
his arms and chest when the flesh colours had
dried.
I
thought the rain was pretty effective, especially the drips on the face/beak and
the rain hitting the shoulder. The straps on his chest aren't great. At this
point I was still using yellow paint, usually Cadmium yellow, to paint yellow
things...about a year later I started using Gold Ochre. It's
great!
It's great art but it's even more cool to see what great lengths you are willing to go in the creative process...A crate in a shower..10 out of 10 for originality
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